My favorite things for today are:
1) A so-labeled “Victorian slip” that I bought at an antique stall at the Big Chicken Barn in Ellsworth, Maine. Its button holes are clearly machine-sewn (I therefore doubt it is actually Victorian), but much is hand sewn, including the hemming, darts and loving lace repair. I will have to do more repairs.
2) A small Wedgewood plate from my mother-in-law’s house in Steuben, Maine. I cannot track down the pattern name, but what I have found indicates it may be pre-1930s. I want to grab the set of eight of these for myself and take them home.
3) A needlepoint by my grandmother-in-law, who died long before I could meet her. I love the textures and the pinkness. My mother-in-law gave this to me for my 40th birthday this year, but it feels wrong to take it off the wall in the Maine house, though I want to. If I can find something else to put on the wall, I will do so.
I have creative plans for the slip. I must fix the plain cotton upper tiers, which are full tiny holes; the material feels weak, brittle. I may fully cover the top with another fabric, instead of replacing or lining it, to hold the skirt together. I plan to trace a pattern that matches the top pieces to create this new upper level, and the bottom lace will show. I may use a 1960s-style birdcage print for this new top layer. I have a vision of a one-of-a-kind maxi-skirt.
The mix of Victorian and Mod appeals to me. The romantic with the edgy. The soft with the abstract or geometric. This may be what I like about the Wedgewood plate, too. The soft flowers are framed in solid, dark red lines with a geometric background of blue and white. And the needlepoint? Totally 1960s, or maybe a holdover of style into the 70s. Soft, floral, yet also flat and abstracted.